![]() Does the paper meet the practical requirements of the letterpress to be used for the project? Once the general design process and aesthetic requirements of a project have been established paper selection is a process of elimination that can be broken down into simple factors. Technical information on the construction and intended uses is also often provided by paper mills and paper vendors on their websites or and is often included with samples. Nearly all paper manufactures are happy to provide samples, often for free, and building a small collection of paper sample books can be very helpful when designing a project. Sample BooksĬollecting samples of available papers and educating yourself on the types of paper available is the first step in being able to choose paper quickly and successfully. Successful presswork depends on choosing paper that will meet the job requirements best and with the greatest efficiency. They may also present difficulties during printing and almost always require hand feeding and adaptation of registration methods.Įxamples: Twinrocker, Margaux Estampe Selecting PaperĬhoosing from the seemingly limitless number of papers available to the new printer can be a daunting exercise. These inherent characteristics can lend significant aesthetic appeal when used properly. These variations are natural to the handmade process and often seen as desirable qualities rather than manufacturing defects. Handmade papers by nature have variation in sheet thickness, fiber distribution and sheet edge. Papers made by use of a hand pulled mould and deckle from a vat of fibers suspended in water. These papers are primarily intended to look good for a short period of time and often suffer from handling or exposure to environmental stresses.Įxamples: Thai Unryu, Daphne Lightweight, Shinzen, Elle Erre Carte, Nepal Handmade Papers While these papers should not be ruled out offhand, they often need careful experimentation to discover how suitable they may be as the manufacturer often does not have printing in mind and cannot provide technical information. Fiber content and handling is secondary to appearance often materials can be surprisingly delicate and sensitive to variables such as humidity, temperature or strong sunlight. Papers made with the appearance as the sole focus. ![]() Fine art papers are commonly mouldmade, and occasionally machinemade.Įxamples: Magnani Pescia, Rives BFK, Stonehenge, Hahnemühle Copperplate Decorative Papers The papers are primarily intended for carefully protected display as the end use and not handling or other environmental stress. Low cost is often sacrificed in favor of archival fibers and sizing materials for specifically desired behaviors (such as retaining moisture, allowing fiber stretch, facilitating pigment retention, maintaining neutral pH levels). Papers made with a primary end use of fine art techniques, having a strong focus on archival fibers content and the specific physical demands of those fine art techniques rather than considerations for offset or letterpress printing. These papers are offered often in a variety of parent sheet sizes and often on rolls (webs).Įxamples: Crane Lettra, Mohawk Superfine, French Smart White Fine Art Papers These are papers most often converted into envelopes, folders and other practical forms intended for exposure to handling and other environmental stress. Standard sheet sizes and precise sheet caliper thickness, trimmed edges, lack of watermarks that take up useful sheet area are standard. Made primarily for the commercial offset or letterpress printing industry manufactured with a focus on efficient handling, production, and cost efficiency. There are papers that straddle one or more of these outlines. Paper can be separated into four general groups. This simple definition covers a seemingly infinite variety of paper available to the printer. Paper is a layer of intertwined fibers formed into a sheet.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |